Fandomfest Experience: Part One


My son, Kolton, turned 18 this week, and for his birthday, he wanted me to take him and a couple of guys (my other son, Aram, and his friend Zane) to Fandomfest, a three-day comic book convention in Louisville. My inner-nerd/geek was probably more excited than his that I was going to get to go to this AND feel good about myself as a parent in doing so. Those moments are rare. As much fun as I thought I would have, it exceeded expectations. So, I thought I'd share with you guys how the day went, and give you all a chance to either make fun of me, or join me in celebration and tell your Fandomfest stories in the comments.
Kolton dressed as "#10", Aram holding a back of Stewart's Black Cherry soda (aka, Nectar of the Gods), and me weirdly protecting his jugular
Kolton dressed as "#10", Aram holding a bag of Stewart's Black Cherry soda (aka, Nectar of the Gods), and me weirdly protecting his jugular
-- The day started off right, with a Stewart's Black Cherry soda that Aram brought in from Lebanon and an egg-white McMuffin from McDonald's (I will not call it an Egg White Delight, McDonald's. No matter how hard you try). As you can see, Kolton took advantage of his thrift shop-awareness (level: expert) where he completely put together this Dr. Who #10 costume, minus the shoes (he had to splurge on those). I knew the costume was good. I had no idea how good.
-- In typical "me" fashion, I parked in a spot that cost more money and was farther away than about 20 other available places that we noticed on our way walking to the convention center, but not while we were driving. I hadn't even finished the process of overpaying for parking before someone had noticed Kolton, screamed "10!", and asked for a picture.This would occur no less than 30 times throughout the day.
-- Ordering online is the way to go for tickets if you go to one of these things, friends. To get your day pass, you had to go to one of the big rooms at the convention center. I'm talking about a room bigger than any I can compare it to in Danville. Close to the size of the Civic Center by Rupp Arena maybe. There were lines of people in there that made me want to cry, and I knew that half of our day would be spent in there, waiting in line and taking pictures of the good Dr. with his adoring fans. But a grandfatherly security guard directed us to the "Will Call" booth, where we took our PayPal receipt, and had our passes within five minutes. (It would have been three, but Kolton had to stop and take pictures...)
-- Mass confusion set in at this point. None of us had a clue. So we just started aimlessly walking around trying to find a map or a program or a group to follow or something to help us out, since we had absolutely no forethought other than buying the tickets early. Luckily, we ran into paranormal expert  Heather Prather  who had helped us out with our latest film shoot. She helped us out again by pointing us in the right direction to get to some goodness.
-- We entered what I would call "The Hall of Champions", and immediately went from "we can't find anything to do" to "there's way to much to do!" A room bigger than the first one with the tickets, with wall-to-wall comics, toys, movies, masks, art, books, cards, collectibles, and just about anything else you could think of. Then there were people dressed up like many of the characters depicted on these items. Just about every Batman villain was represented. A couple of Deadpools. Some Star Trek crew members. A lot of Dr. Who's (although Kolton was the best I saw). Some Ghostbusters. Thor. Spiderman (red and black). Darth Vader. Darth Maul. Stormtroopers. ALF. Princess Leia. And, Bloodsucka Jones, who might have been my favorite (more about him in the next post). Then, at the back of the room, you could get autographs from a few celebs that were on hand.
-- While Kolton stood in line to get a John Barrowman autograph (I don't know either, but he was excited. And the dude had a long line, so, whatever), Aram and I decided to hit "comic book alley", where there were boxes and boxes of nerd books to sift through and get wide-eyed at and giggle (out of the gutter, minds. It was with child-like innocence). If I had no morals and didn't fear jail, I'd have made a stab at trying to grab an "Incredible Hulk #181" (first appearance of Wolverine). But since I have both, it stayed on the wall.
-- We made our way to the back of the room, and got to the row of celebrities ourselves. Some were really busy
Me and the master of the racket, Jim Cornett
Me and the master of the racket, Jim Cornett
(including this Barrowman fella), and some were not so much. One of the "not-so-much's" was a figure from my childhood that I was more than happy to take a few minutes of his time. Jim Cornett is pretty much a legend in wrestling circles around here, and had some pretty long tenures in the WWF and WCW as a manager. He's probably most famous for managing The Midnight Express (with "Beautiful Bobby" Eaton and "Sweet Stan" Lane, neither of which were either beautiful or sweet) and bashing folks over the head with his tennis racket that usually had "JIM" bejeweled on the cloth cover. Jim was the nicest, and it was super cool to talk to somebody that I've seen on TV since I was a kid, and who has made me laugh several times since.
-- Al Snow, who was another wrestling presence on celebrity row, is kind of a weird pervert.
-- Two comic book artists were there that I like a lot. First of all, Neal Adams had a booth set up. If you're not familiar with Neal, he is the guy who basically made Batman into The Dark Knight. Bob Kane is credited with creating the character, but Neal Adams took him from the campy action star with the grey and blue tights, like from the old TV show, and turned him into the modern day version you are familiar with today. Pretty cool. For me, though, I was more excited about Mark Texeira. My favorite comic book, and one I've collected since I got into comics, is Wolverine. And my favorite artist from when I collected them is Mark. For one reason, I always liked Wolverine with the spiked claws instead of the knives, and Mark is one of the few that draw him that way. So, I got to take my Wolverine #61 (the first cover art that Mark did for Wolvie) and get it signed. He also drew a sketch of Wolverine for Aram while he talked to us about who he liked to
The sketch of Wolvie that Mark Texeira did for Aram while he talked to us for about 5-10 minutes
The sketch of Wolvie that Mark Texeira did for Aram while he talked to us for about 5-10 minutes
draw, who was the most difficult, etc., and then he ended up showing us a portfolio of some drawings from an original comic he is trying to pitch to Marvel. He was incredibly nice and engaging, and you could tell he just loved being there and talking to the fans of his work.
-- A few other celebs that were on the row, but I couldn't get close to and didn't really want to wait in line to pay to see for five seconds, were Gillian Anderson from the X-Files, a guy you may have heard of that has recently made our state his home named William Shatner, and STAN FREAKING LEE!!! Stan is the only one that I would have considered waiting and paying for, but the line was already about 200 people deep when we checked it out, and it was still over an hour before he was even coming to the room. I'm not sure we would have even gotten to him in the time they had allotted him to sign, so, reluctantly, we passed. But, I can say that I was in the same room as Stan "The Man" Lee, and no one can take that away from me.
That was just the first half of the day. Later this week, I'll break down what happened after lunch until we finally decided to call it quits at 11:30. Next year, I feel like a 3-day pass is in order.
READ PART TWO >>
 

Indie Wednesday: Pardon My Dust



Today's short comes from SnowGlobe Studios and features some pretty incredible chalk art by Peter Han. We've been heavy on animation and comedy lately, so I wanted to switch things up. Watching Peter do his thing is a nice change of pace. Plus, for any scrutinizing producers out there, SnowGlobe shot this with the Red Scarlet in case you want to evaluate the camera while you watch.

Stan Lee's News and Notes 7.29.13

Hopefully this is not how Stan greeted his fans in Kentucky.

Stanley Martin Leiber (aka Stan Lee) found himself in our fair Bluegrass State this weekend for Fandomfest, Louisville's version of Comic-Con. For anyone who doesn't know, all Stan Lee did was co-create nearly all the major Marvel characters like Iron Man, the Hulk, Spider-Man, the X-Men and the Fantastic Four. I grew up reading his schtick in Stan's Soapbox column and swallowed all his hype-man propaganda hook, line, and sinker. He made me want to move to New York and be a comic artist. (That was my plan for at least four years until I heard a few industry horror stories and decided I couldn't hack it anyway.) But, I always told myself if I got a chance to meet this living legend, I had to make it happen. The guy is 90 years old. There aren't many, if any, people left alive that have made such an impact on popular culture. Well, I didn't. I blew my chance. I had other important things to do and let's just say Mr. Lee gets paid a pretty penny for a handshake and an autograph.

Speaking of Fandomfest, Allen did attend along with his sons and he plans on writing a complete breakdown of his day in the middle of the madness. I can't wait to read it on his CKE blog and we'll be sure to post it or share it here. From what I've heard so far, it's going to be a doozy.

Kickstarter Rant

If you missed it, Saturday I went on a little rant about celebrities using Kickstarter to crowdfund their pet projects. Spoiler: I'm not a fan. But, my biggest concern is that it could get worse.

Paranormus

I got knee deep into the Paranormus edit last night. My biggest take away was that this will be exponentially easier and faster than a Space Cops edit. That's good news when we're trying to get in under the wire for a film fest deadline. If we can get another shoot in soon, I have high hopes.

How about a short peek? (And I do mean short.)

Indie Wednesday: Wildebeest

On Indie Wednesday, we take the chance to celebrate creative work from all corners apart from our own.



Today's it's another laugh from Birdbox Studio.

Cannonball: Cabin Creeps



This one is for Ron Parritt (aka Bass Adkins). When the original cut of our first feature film clocked in at well over two hours, it became apparent that some major trims had to happen. One of the larger chunks that fell by the wayside is this scene that really served little purpose other than to further establish the creepiness of Adkins.

  • It's amazing to me how long ago we shot this. Before the days of HD. And I'm not at all pleased at how much aging I've done since then.
  • Check out Allen sacrificing his body at the 3:38 mark. Our reactions to that are genuine. Al goes stuntman-style and of course the scene gets cut.
  • Ron's "What do you think it is?" line was one of our favorites to quote, so it hurt us to cut it.
  • We shot this on Ron's uncle's property in Frankfort. He has a sort of 19th century ghost town that he built himself.
  • The training montage was originally supposed to be a little more carefully constructed and shot in Wes Anderson style.
  • Probably one of the biggest regrets was that the elimination of this scene removed Aaron Ratiere's incredible Bigfoot song from the body of the movie and moved it to the credits. I think we can all agree on the song's unadulterated awesomeness.

You can watch Cannonball free online (and leave us a tip if you'd like) or order a DVD to watch at home.

Comic-Con's News and Notes 7.22.13

We can only hope these are the guys that play Batman and Superman.

One weekend every year, San Diego, California becomes Nerdvana. (Did you see how I did that? nerds... nirvana... Don't steal it, I just trademarked it.) Over the past four days, thousands of nerds from around the world descended on the city for SDCC - San Diego Comic-Con; the biggest and most ballyhooed of all the Cons. One day I will attend and I will drag people with me, I swear it. Many purists complain that the convention has little or nothing to do with actual comics these days, serving instead as a hype machine for all the latest movies Hollywood is churning out for the geek set. Speaking of...

Since I know you come here for all your news, I'll let you in on the biggest revelations of the weekend. #1. They're making a Batman/Superman movie. and #2. The Avengers' next villain will be... Ultron. For those of you who haven't spent the last 25 years studying Marvel continuity, Ultron is a sentient robot bent on destruction. Think Skynet in indestructible robot form. As far as Batman/Superman goes...   Okay, I guess? Zach Snyder must feel good about it because he's coming back to direct. But, personally, that is not a ship I'd be eager to jump on. That thing looks a little like a Carnival cruise-liner with faulty toilets to me.

WSF Notes

I'll hit you with some quick updates on production in the Compound this week. I've poured through all the Paranormus footage we shot last weekend. Good stuff. Possibly even better than we'd hoped for.

The next step is to schedule a shoot as soon as possible in August to finish this thing out. If I can edit in a timely manner, we may be able to get this thing submitted to Rivers Edge Film Fest before the late deadline. That will at least give us a chance to return to the land of quilts for our fourth consecutive year to our favorite fest on the planet. If we don't get it done... there will be much sobbing in the Compound. We need our Kerchoff's sammiches.

This week I'll be editing whenever I can on both Paranormus and Space Cops. Getting an early jump on the Paranormus edit before the next shoot may make the difference in whether we can finish it up in time.

We'll see you back here for Indie Wednesday (actually on Wednesday this time) and anything else that comes up.

Indie Friday?: This Is How You Die



Our indie short is running behind this week, but I don't want to short-change all the faithful "WSF Bloggies" out there (yes, that's a real thing). So, here you go. This short is apparently drawn from a book by the same name and it's good for a couple chuckles. Here is the book's synopsis if you want some more details:
The machines started popping up around the world. The offer was tempting: with a simple blood test, anyone could know how they would die. But the machines didn't give dates or specific circumstances-just a single word or phrase. DROWNED, CANCER, OLD AGE, CHOKED ON A HANDFUL OF POPCORN. And though the predictions were always accurate, they were also often frustratingly vague. OLD AGE, it turned out, could mean either dying of natural causes, or being shot by an elderly, bedridden man in a botched home invasion. The machines held onto that old-world sense of irony in death: you can know how it's going to happen, but you'll still be surprised when it does.

Commercial Time



Wow, that ad man looks like a jerk.
Did I mention our creativity is for sale?
Because it is.

Some people understand you need unique or weird/funny ideas to grab people's attention. Trust me:  no one is more ready weird it up for you than we are.

Vertical Video Syndrome



Vertical Video is an epidemic, but we can stop it if we work together. The first step is to get the word out. We should all thank Glove and Boots for being so conscientious.