mike post's news and notes 12.17.12


It was difficult to think about anything this weekend other than the unimaginable events that took place in Newtown, Connecticut on Friday morning. I just want to say that we are praying daily for all the families involved. And while there certainly must be an exhaustive examination and discussion of the issues this event raises, let's all please be sensitive to those who are grieving. Some people jumped on this story within hours of it being reported, treating it as nothing more than fodder for their own long standing arguments. This is real. Real people were lost and others are dealing with it right now. Let's make sure we're all sensitive to that.

This picture is too perfect to comprehend.
I did a bit of editing on Space Cops Ep. 4 this weekend. One major shift beginning with Episode 4 is a focus on the importance of music. I want Space Cops to be pitch-perfect 80s television (well... almost) and every great 80s show has great music. More often than not, it starts with a perfect theme song written by Mike Post and then a host of variations on that theme to fit the mood in any scene the episode might have. The love version, the action version, the light-hearted shenanigans version...  Every big moment has a "stinger" and every segue has a little transition, etc, etc. Over the next week or two, I'll be trying to study some TV classics of that era to see how and when they use their music. Then we can attempt to emulate that formula as closely as possible.

Unfortunately there is no way to fake the perfection that is Mike Post. Mike Post is the John Williams of television. His string of theme song home runs is mind boggling. Rockford Files, Magnum P.I., Hill Street Blues, The A-Team, Hardcastle and McCormick, CHiPs, Quantum Leap... are you kidding me? You could shut your eyes, listen to these intros and know each show intimately before you ever watched the first frame. The man is magic and I am not being snarky or sarcastic in the slightest. Mike Post amazes me.

However, I am very thankful for the extremely talented Brandon Long gifting us with a catchy Space Cops theme that I love. I don't want anyone to mistake my admiration for Mike Post as being ungrateful for what we already have. Not in the slightest. How many of you have checked out the latest offering from Brandon's band, Maynard?

I'll switch gears with this little nugget:  I started writing a script for Bizarnival 2 this weekend.

We're as busy as ever at the WSF compound and we'll keep you informed as info develops. You can count on Indie Wednesday and more this week, so be sure to check back in. But for now, lets all take a moment to revel in the kind of unadulterated awesome 80's magic I was talking about, courtesy of Mike Post and Magnum P.I..

indie wednesday: Jarrett Lee Conaway



I'm pleased to present Foolishly Seeking True Love by Jarrett Lee Conaway. Technically, this short is absolutely impeccable. Every single shot is painstakingly composed to the last detail and most are gorgeous. You can be certain you'll be hearing Jarrett's name again. There are big things in his future. Sometimes you just know and this is one of those times.

I've seen pieces influenced by Wes Anderson before but rarely, if ever, executed this well and able to live on its own without being a victim of distracting mimicry. If I had to guess, I'd say it was shot on some version of RED camera and color corrected by someone who reeeaaally knew what they were doing.

news and notes 12.10.12

It's only the first line, and yet, already a classic.

Today's updates will be short since it's business as usual this week. As you can tell from the picture above, Allen has been hard at work. Now we have another Space Cops episode on deck as soon as we finish the two we're currently editing (ep. 4) or shooting (ep. 5). I think you're going to dig them. We're starting to hit our stride and zero in on what we want this web series to look and feel like. I can't wait to hear some feedback and get your help in spreading the new episodes to the masses.

I expect to finish the Episode 4 rough cut this week and start on effects work. There are a lot of effects shots in this one and it's time to get cooking with the After Effects. I'm hoping to be close to a premiere by the end of this month, but I'm sure the holidays are going to take their toll on my free time.

If you're currently living in the Bluegrass State, you know we've had some unseasonably warm temperatures. That would have been perfect for finishing off our Episode 5 exteriors, however along with warm temps has come rain. So much rain. Needless to say, we didn't get a chance to finish our business at the farm this week. Is there any chance we get another shot before Winter completely sets in?

Last but not least, our limited offer still stands for anyone looking for a creative firm. If you didn't read about it, you can check out all the details here.

indie wednesday: Oh Yeah Wow



Occasionally I want to use Indie Wednesday to share something that just looks cool and Rippled fits in that category. I love light effects like these and I have an inkling of just how long this took to produce. Reason enough to show it here. The folks at Oh Yeah Wow combined their visuals with the music of All India Radio and it's just a neat piece. So, enjoy.

Hire Us! WSF Creative

Four of our six Telly Awards.

Look at us as a Creative Agency with full video production and graphic design capability in-house. The "in-house" part will save you cash, but the key is the creative.

Walk Softly Films is an award winning film production company with 13 years of experience. We've won Best Narrative Short awards as well as Best Narrative Feature Film at various film festivals. I have six national Telly Awards for video production and copy writing on commercials I've produced. All of the above were written and conceived by at least one of us. What I'm saying is that we are three creative dudes who are good at what we do.

WSF has never done creative work-for-hire before. And we may never do it again. We need cash to produce the films we want to produce and fake mustaches aren't cheap. So, here is what we are offering: a one time chance to bring all our creativity to bear for your business. And this doesn't have to be a commercial or industrial video. We're talking complete creative services and strategies. We're capable of logo/graphic design. If you need ideas to plan an out-of-the-box event, whatever... you name it, we can talk about it.

Here's the thing... You only want us if you're looking for something special. You only want us if special and unique are worth it. If you want a run-of-the-mill "here's what's on sale" commercial. We aren't what you're looking for. You can get that "free" from one of the television stations and they'll phone it in and crank that spot out in an hour.

If you want something that is completely crazy; something that people can't look away from or stop talking about; something they'll remember for years; something premium... then this is for you. Because trust me, if we're going to do this, we're going to go completely crazy with it. No matter what you need.

If you're interested, email me. Or send me your number and we can get started on the phone. Nothing formal! Just a chat to see if we're a good match for you. If I don't believe we can make a large and positive impact on your business or non-profit, I promise we won't let you go one more step down that road. And don't wait around. When I say we intend on doing this one time and one time only, I mean it. One chance, last chance. (The only exception is that we can't work inside the Frankfort area. Conflict of interest with my day job and all that.)

Email:  scott@walksoftlyfilms.com

larry hagman's news and notes 12.3.12


I want to open up with a belated farewell to Larry Hagman. Apart from his success on I Dream of Jeannie, Mr. Hagman created one of the best and most iconic TV villains of all time with J.R. Ewing on Dallas. Thanks to nights spent at my Grandmother's house, J.R. is absolutely ingrained in my memory and I think he made such an impact that he influences my definition of a certain brand of villainy and smarm. My Grandmother loved Dallas and J.R. was, as the phrase goes, the man she "loved to hate." (In fact, I would be surprised if that phrase wasn't coined in reference to J.R.) You have to give credit to Hagman for turning the series into a phenomenon. He could have phoned it in and made all the obvious choices on this primetime soap opera, but instead his performance was as charming as it was slimy and he turned a character that could have been completely one dimensional into the portrait of a complicated, Southern oil magnate that kept audiences guessing and loving to hate. I'll say it again: we love 70s/80s TV here and Larry Hagman was as it big as it gets. Mess with J.R. and you get open-hand slapped.

Now for the WSF news. Last week was a mess. I know. I completely dropped the ball on Indie Wednesday and there was no edit update. But mark my words, we will make up for it this week. Oh, yes. We will make up for it. Here's how the week is going to break down...

TUESDAY:  Come right back here tomorrow morning for the big advertising/business-changing opportunity announcement that I've been talking about. If you're a business owner, you're going to want to see it before anyone else does.

WEDNESDAY:  Indie Wednesday will be back better than ever. I swear it.

WEDNESDAY/THURSDAY:  Edit party. On Wednesday or Thursday we're having an edit party. Big time. And the whole gang gets to be there. Again, we might test the live stream of our edit party and if we do, you'll get a notice shortly ahead of time on our Tweeter or Facebook page. Also on the agenda for that meeting is some longterm planning. (Did that sentence have a dangling participle? ...I don't care, I dig it.) Todd, Allen, and myself will take the opportunity to lay out some major goals and make a WSF plan for the next few years. I'm excited. We're ready for it and it needs to be done. There may be some announcements that could come from it and, if so, you'll see them here.
So be sure to keep an eye on things here all week.

In other news, last week was big for us on the internets. Quite a bit of interest and some exciting correspondence from different folks and filmmakers and fans. One tidbit that I can go ahead and tease is that it sounds like Bizarnival may be part of a screening of short films in Lexington next month. It's a small program of shorts and one of the organizers reached out to us. Sounds cool to me. More on that as we hear it.

Have a great week and we'll see you tomorrow for announcement time!

news and notes 11.26.12

One of the Episode 5 storyboards drawn (quickly) with Adobe Ideas.

I spent the Turkey Weekend doing some storyboarding for our next Space Cops shoot. Can you tell? I've been experimenting with a production app called ShotList. It's a nifty little program that has the potential to be quite helpful to us on future shoots. We don't always have the time or the manpower to have a script supervisor, but I'm hoping having a detailed shot list on the iPad will make us that much more efficient.

ShotList allows you to plan your shooting schedule. You can add, edit, delete or reorder any of your scenes at any point across multiple days and update their status as you go. You can store up to six images (such as storyboards) on every scene. (By the way, I draw the storyboards on another great app called Adobe Ideas. If you like to draw, get it. For my money, it's the best art app I've seen.) From what I've been able to do on ShotList so far, I would recommend the app to anyone looking for help in scheduling their shoots. There is one other app called Shotlister (confusing, I know) that I would recommend looking at as well. Shotlister does realtime tracking of your progress to let you know whether or not you're on schedule. That sounds amazing, but personally I'm not sure I could schedule my shoots down to the minute. Who knows, maybe it's worth a try.

Tomorrow is an editing party! We'll be doing some more work on Episode 4 and we might experiment with streaming it live on YouTube/Google+. If we do, we'll send a last minute tweet or Facebook post to warn anyone who might be super interested. It's going to happen sooner or later and tomorrow might be a test.

Also, I have every intention of a special post this week. I've talked about it here briefly before. It's an opportunity for anyone who wants to do something special and amazing to market their business. If you want to grab attention, this is the post you're going to want to see. Stay tuned for that and more this week including Indie Wednesday.

indie wednesday: the possum posse



I'll make this short and sweet. Todd introduced us to Guy On a Buffalo while we were at REIFF and it's going to make you happy so you just need to go ahead and watch it.

This is a little change of pace, because the artists aren't filmmakers. Rather, they're a band called The Possum Posse. From what I can gather, The Possum Posse wrote some narrative songs to describe footage from the 1978 movie, Buffalo Rider (which looks wonderfully atrocious).

You can find all the songs/videos and even some t-shirts at guyonabuffalo.com and you can learn more about the band at ThePossumPosse.com and/or follow them on Twitter. One of the first things I thought when I heard them was how much they sound like Aaron Raitiere who was featured heavily on our Cannonball soundtrack. Anybody else think so?

One warning:  once again, you're going to have a hard time getting the song out of your head for the rest of the day.

skyfall's news and notes 11.19.12


First the Notes: What a season for cinema, right? Fall 2012 is bringing it. We started out really strong with movies like Argo and Looper and now, November has already brought us Wreck It Ralph, Lincoln, The Sexy Vampires and Werewolves Make The Girls All Squealy Movie and, in Mr. Bond's 50th year on screen, Skyfall.

Skyfall Review

Let me talk a little bit about Skyfall (while staying away from too many spoilers). A mini-review if you please. This movie is a mixed bag for me. When I was in middle school, I fell in love with Bond movies; primarily of the Connery variety. I liked the style and swagger and everything that you expected from the early films. But, as I approached college age, I grew tired of them. My tastes changed as I got older. Also, the tone and pace of modern action movies were changing dramatically at the time. More and more I began to find the Bond formula plodding and tedious. I mean, these movies are long and the older I got, the longer they felt. By the time Pierce Brosnan filled the tuxedo (about 15-20 years later than he should have) the pace had been increased somewhat, but the formula was still very stale, the plots seemed corny and the scripts uninspired. (Sorry Goldeneye fans.)

So, when the Daniel Craig reinvention occurred with Casino Royale in '06 and the purists started shaking their fists, I was on board in a big way.  Casino Royale was gritty and real (before "gritty and real" got ran into the ground) and it moved at relatively blazing speed. That movie brought James Bond into the real world and I think it was the best possible direction the franchise could have gone. How great was it to see James Bourne, er, James Bond seriously kicking arse and taking names instead of doing most of his damage with well-timed quips.

However, people like the quips. A lot of people. They like the quips and the gadgets and the cars and the women and the smarm and all that jazz that made Bond who he was for the previous 45 years. ...Enter Skyfall. Now that the franchise had been reenergized, the studio was apparently looking to marry Craig-Bond fans like myself with all the old-school Bond lovers (who were alienated by the new formula) for maximum money-making potential. Now, don't get me wrong. I like Skyfall. I liked it a lot. Sam Mendes crafted a film tight enough to bounce a quarter on. All the beats and emotions were organic. Nothing felt forced. If i have a primary complaint, it is in a return to decompressed pacing. The movie seemed to drag in parts. Maybe not as slow as Bonds of the past, yet still reminiscent.

Creepy time with Javier.
Most impressive about Skyfall was the (predictably) gorgeous cinematography of the incomparable Roger Deakins. Deakins is as good as it gets. We all know it and he certainly doesn't need me to say it. Daniel Craig was solid and cool as always. And what can you say about Javier Bardem? His ability to mesmerize and completely become a character, is possibly second only to Daniel Day Lewis. Bardem is the undisputed heavyweight champ of freaky creepo and I mean that in the best way possible. Man, that guy is good.

With all that said, my feelings are torn in regards to the intent of the film. I'm kind of amazed that the entire script was built around bringing Bond back to the status quo. Every set piece, every major plot point is designed to get us back to where we started. Going so far as to put him back in a 1960 Aston Martin with an ejector seat button on the stick shift and machine guns in the grill. Both overtly and all the way down to the subtext, the film asks the question over and over, "Was the old way better?" And it presents the answer as a resounding, "Yes." Admittedly, the message does get mixed in a few spots along the way. For example, when Q makes fun of the notion of an exploding pen. Apparently they want Moneypenny, a male M, more philandering, etc, etc, but they aren't ready to bring back jetpacks and laser watches. (And yet there is the conundrum of the Aston Martin machine guns... Like I said, just a couple mixed messages in an otherwise tight film.)

Should you see Skyfall if you haven't already? Absolutely. Do I feel good about the direction of the franchise moving forward? Yes and no. I expect more movies following the Skyfall blueprint that are sure to be entertaining. But, personally, I'll miss the faster pace and intensity of the Jason Bond / James Bourne style of Casino Royale.

WSF News

Most of you know by now that editing is underway for Space Cops Episode 4. We started shooting Space Cops 5 last week. And now Allen is writing the script for Space Cops 6. We'll be attempting to get together this week (difficult in the middle of Turkey Time) or next for both an edit party and to discuss what productions we want to work on in 2013. In the upcoming months Space Cops fans will go from famine to feast and I still fully expect to have the first new episode ready for a December debut. On the blog, you can expect your regular weekly updates and more.

indie wednesday: JohnBen Lacy



Today I want to share another film from Rivers Edge Film Fest. This is one of our favorite shorts that we've ever seen at any fest and the fact that it was produced for a 48 Hour film contest makes it all the more impressive. Storytime Time is an off-kilter tale of a photographer at the turn-of-the-century who wanted to travel back in time. This thing is weird and, if you know us, that means we love it. But it isn't weird and stupid or weird for weirdness' sake. Storytime is clever, with really funny and smart narration.

It was right up our alley and we were happy to meet two of the filmmakers, JohnBen Lacy and Mike Elsherif who (yep, you guessed it) were nice. Not only are they from Louisville, but JohnBen went to Centre [College]. Hands in the air for the Danville connection and more power to Kentucky filmmaking peeps. Sometimes you just know when to expect big things from people. This is one of those times.