couch potato weekend: blu ray binge


Like everyone else in America, I stay pretty busy. I've got 3 teenagers, a full time job, trying to make some films, and going to school at night part time. So rare is the occasion that I actually get a real day off. But when that happens, I binge. And I binge hard. I use those "blue moon"s to catch up on any movies that I may have had even a slight interest in seeing when they came out, but they slipped through the cracks and are now conveniently available in a magic box that just spits them out at the touch of a button when you go buy a Big Mac. So I thought "Hey, why not share your binges with the people. Maybe, if they happen to have a day to O.D. on some films, you could help them make the right choices or at least avoid the bad ones." So when I get that chance, you'll get the scoop. Sound good? Let's go!

LAWLESS - I had high hopes for this one and thought it would start the weekend off on a high note. Plus, my wife, Kristie, who is typically my partner in crime for these fabulous ventures, is kind of partial to Shia LaBeouf, so it seemed like a winner and a good one to lead off with.
The positives: Tom Hardy impressed me again. I've seen him in four movies now (that I can think of) and have really liked him in all of them. And, really, all of the characters in this movie were pretty well done.
The negatives: The story was pretty weak and really slow developing. And the ending was painfully predictable. I know it was based on true events, but if the events have an obvious storybook conclusion, change them. We won't mind, and nobody is going to call you on it.

PITCH PERFECT - *deep sigh* Ya, I'm a 36-year-old man and I watched a movie about college acapella groups. I blame Kristie for this one. Here are some thoughts:
The positives: If you go into a movie with extremely low expectations, typically you'll be pleasantly surprised with SOMETHING. In this case, the fellas (Skylar Astin, Ben Platt, and Adam DeVine) got a few laughs out of me. And I know girls don't necessarily like to be called cute, but Anna Kendrick is cute.
The negatives: I'm a 36-year-old man and it's a movie about college acapella groups.

LOOPER - To me, this was the one I was waiting for. The main event of the weekend. I just hoped my high expectations didn't have the transverse effect as my low one's for Pitch Perfect.
They didn't.
The positives - Joseph Gordon-Levitt is making me happy. I haven't seen him bad in anything yet. But in Looper, he outdid himself. He must have studied every Bruce Willis action movie since Die Hard, because he had the mannerisms down perfect. Even the breathing under duress was like Bruce. It was impressive. As was the movie as a whole. Great characters. Great acting. Smart story with good pacing. I will buy the blu ray.
The negatives - Watching movies made by people smarter than me about time travel makes my over-analytical brain go into overdrive and gives me a headache.

TED - Did you guys realize the T.E.D. stood for Terribly Extremely Dreadful (rim shot). Should have named this one "Turd". I didn't like it. At all.
The positives - Mark Wahlberg is pretty funny. There were a few times I actually laughed, and they were all because of him.
The negatives - Everything else. If somebody could make a case to me as to why people enjoy movies like this or The Hangover, I would love to hear it. Seriously. "Hahaha we're doing drugs and cussing and peeing and pooping on things and having sex and it's hilarious!" No, it's not. Not to me, anyway.

THE BOURNE LEGACY - I loved the Bourne Trilogy, with Matt Damon portraying the amnesiac human weapon, Jason Bourne. I loved the concept of the fourth installment, with Jeremy Renner playing super-spy Aaron Cross, who is in the next step of the evolutionary process of training that Jason went through, making him even more bigger and badder. Sounds good, right? Well...
The positives - It was pretty cool how this movie coincided time-wise with the last of the Matt Damon installments, The Bourne Ultimatum. I actually re-watched Ultimatum to refresh, and the stories seemed to gel pretty well together. Also, Jeremy Renner does action sequences about as good as anybody, and there are plenty of opportunities to showcase this.
The negatives - The decision to make this new batch of super-spies dependent on pills to sustain their abilities, seemed weak to me. Jason was a bad man because he was well trained and super skilled. Aaron was a bad man because he took government-issued drugs. I didn't care much for that. Also, the movie seemed sort of clunky. Transitions were far from smooth. By far the worst of the Bourne's, and it isn't close.

PREMIUM RUSH - I'll be honest: Redbox got another buck from me on this one because I loved Joseph Gordon-Levitt so much in Looper. I just wanted to watch him in something else. And this qualified as something else.
The positives - This movie was great for what it is: A fast paced, edge-of-your-seat, popcorn movie. Gordon-Levitt was fine, but he didn't exactly have a tasking role. And fellow Kentuckian Michael Shannon is always fun to watch be a psycho weirdy. Which he does again in this one.
The negatives - Everything is fairly predictable. The filmmakers threw plenty of formulaic obstacles at our protagonist, but at no point did they create the sense that he may not be able to overcome one. And the ending was pretty corny and kinda lame.

So there it is: a weekend well spent by me, as I'm sure you'd agree. Feel free to let me know what you think of my assessments. Agree? Disagree? Did I talk you into or out of any of these? I'd love to hear some opinions. Until the next weekend of binging, keep the Blue Ray player warmed up for me.


indie wednesday: Age/Sex/Location



I love when we can share some laughs on Indie Wednesday. I love it even more we can share some material from Kentucky. As promised, this is our first representative from the Short Film Night at Natasha's. This is Age/Sex/Location by Claw Machine Films (namely, Jeremy Midkiff and Jonathan Moore). The crowd was primed and ready for this one and, by the end, they were howling in laughter. So, if you can gather up 140 or so of your coworkers to watch it with you, I highly encourage it.

If you dig this, you might want to stop by and help the guys out with their Indiegogo campaign to make a feature length film with the same characters. Good luck, fellas!

Enjoy your humpday, everybody!

tech talk: next gen cams


Good news for all the Richie Rich's out there. According to an announcement on RedUser.net, a prototype of their new Dragon CMOS sensor has been blowing all its image tests out of the water, exceeding already high expectations. The chip reportedly exhibited 20 stops of dynamic range on a 21 stop chart (when shot with an astronomically expensive engineering lens, but still). Combine that with resolution that Red claims is comparable to 65mm film, and you have one bad mamma-jamma. Thanks to these specs the sensor upgrade is expected to cost a "little" more than the expected $6000 for Red Epic owners. But, that isn't a concern for you is it, Richie? (I'm kidding. Maybe we can all rent one.) If anybody would like to donate one to the WSF cause, we'd be happy to accept. If there are any Red Scarlet owners out there hoping for a Dragon upgrade, sorry. You're out of luck, but there may be a trade-in offer for you.

The next-gen camera arms race continues. Its amazing how far the technology has advanced in just the past 5 years.

Speaking of the arms race, Panavision is ready to come back swinging into the digital fight. This short list of specs from Cinefii calls the camera the "Alexa Killer." I'm sure Panavision would love that to be true.

In Black Magic news, the BMCC has a new firmware update including time-lapse recording. You can get a full rundown of the updates along with reactions at EOSHD.com.

affleck's news and notes 2.4.13

Short Film Night at Natasha's.

Short Film Night at Natasha's


Last Wednesday was Short Film Night at Natasha's and, as promised, a full recap:  first and foremost, it was a great atmosphere and you have to credit that to Justin Hannah and the staff at Natasha's. Everything came together to make a perfect event for indie film in Lexington, despite the nasty weather. It was great to meet a lot of filmmakers and film lovers. And, of course, it was great to enjoy five Kentucky-made indie shorts that played to an energetic and packed house. Age/Sex/Location, Consignment, Sour Notes, and Watch Me were the other four films that screened along with Bizarnival. I have a sneaking suspicion you'll get to see more than one of those films right here in upcoming Indie Wednesdays. I have an even sneakier suspicion that you'll see the first one this Wednesday.

WSF Housekeeping


Ben Affleck won the award for outstanding directorial achievement at the Director's Guild of America Awards on Saturday to follow up Argo's Best Picture win at the Golden Globes and goes in as a favorite for the same award at the Oscars. Uhhh, what's the best way I can put this? Ben Affleck highly-esteemed director > Ben Affleck, star of Daredevil.

There may be some Tech Talk this Tuesday regarding lots of camera news and scuttlebutt. And I believe that I can say with some certainty that you'll be getting a new VHessay this Saturday! Another hint? There may or may not be a Tom Skerritt sighting.

If you didn't catch it, Saturday I posted a little mini-doc I shot a couple of years ago about Street Scene, a store of all things vintage, in Lexington.

The Space Cops 4 edit is still going well. However, I have definitely decided to shoot future episodes in HD and then crop them down to 4:3. I need the extra color space and resolution for effects work. Mostly the chromakey.

Hey, did you know you can still hire us?

And last, but not least, Todd, Allen, and myself will be meeting in the next few days to discuss all possible productions for 2013 and prioritize the shooting schedule. We don't have the time or resources to produce nearly as much material as we'd like, so this is probably as important a "meeting" as we'll have all year. Will there be an ambitious short this year? Will we have something ready for the Danville Lawn Chair Film Fest? How far will we go down the Space Cops road? Do we have another web series up our sleeve? ...So much to discuss and I can't wait!

indie wednesday: David Lehre

Indie Wednesday salutes all the filmmakers who are light on budget, heavy on creativity, and won't rest until the story is told.


This video reminds me of the stuff we used to do in high school and college. Plus, it got David Lehre kicked out of Theatre History class and I certainly wish I had been kicked out of my Theatre History class. All good reasons to feature David here today.

I've been aware of Lehre since he gained YouTube fame when he was a high school student in Michigan. If I remember correctly, David got a development deal with Fox television thanks to his MySpace: the Movie and other videos. Nothing materialized out of that particular deal, but Lehre capitalized on the momentum. He left Michigan and moved to the West Coast where his Vendetta Studios now does high end, creative productions and has high profile deals with clients like Coke. Not bad, right? I got a lot of laughs out of his old material and continued to follow him as he transitioned into a professional career. I guarantee you'll be quoting Petey and Peanut all day after you watch this one:



We wish for continued success to Mr. Lehre in the future and maybe a little less of this. Chad Future seems to be one of his newest endeavors. From what I can tell it's a sincere venture into music with an alter ego. I don't know if it's a Garth Brooks/Chris Gaines phase, but hey, more power to you, David. You seem to be an energetic, enthusiastic, and super positive guy that just likes to live and let live and I can get behind that.

sundance's news and notes 1.28.13

Sundance says hello.

Welcome, welcome. Since this is an indie film blog (of sorts), I'd be remiss not to mention the most ballyhooed spectacle in the indie world: the Sundance Film Festival. Just how indie it is always stirs great debate, but you can argue that amongst yourselves. I dig Redford and the fact is, if any one of us was lucky enough to get accepted into Sundance, we'd all go running and jumping through the streets. Therefore, we will give respect here at Walk Softly. As the 2013 Festival comes to a close, the biggest item of note was that this was the year of the ladies. That's right. Congratulations, ladies! The U.S. Dramatic Competition, for the first time ever, featured as many female directors as men. Jerusha Hess, the female half of the Napolean Dynamite team, made her directorial debut with Austenland which was very well received. And some other names that created waves included Francesca Gregorini, Jordan Spiro (who apparently made quite the heartbreaking love story), Mahalia Belo, and Lauren Wolkstein. Also, interestingly enough in this economy, there were several record breaking deals for films like the feature directing debut of Joseph Gordon Levitt. But enough of that. Let's talk more of the usual nonsense.

When Bo Jangles comes calling, it could be the end for Don and Jonny.

There are several things that I'm excited about this week, the first of which is the way the Space Cops 4 edit is coming along. The closer it gets to completion, the more I can't wait for you to see it. Lots of effects work got done last week, primarily compositing. Things like sky replacement, adding muzzle flashes, bullet hits, and blood hits and whatnot into shots that would look even sillier without them. We don't have the budget, expertise, or time for many old school practical effects like exploding blood squibs (I wish we did), so we do much of it after the fact. The effects work continues this week as well as lots and lots of sound design as I'm trying to be meticulous about the sound effects and music on this episode while teaching myself a few things along the way.

The second thing I'm hyped about is the newest VHessay. The next movie up for analysis arrives today (courtesy of Netflix)! You want hints? It involves the ultimate excursion for nerdy kids in the 80s. And it stars several big names in an ensemble cast that were just getting their start. That's all you get for now and I'm afraid I've already said too much. I haven't seen this flick in twenty-five years, so I'm excited. I hope to post it this Saturday, but I'm not going to make any promises.

One last really weird and incredibly awesome tidbit for you today...
What year did Space Jam come out? 1996? Well, what if I told you the Space Jam website (yes, from 1996) had been living on the Warner Brothers site all this time? Untouched by the hands of man. Like a time capsule. Like King Tut's tomb. Just waiting for the sand to be cleared away and shared with the world, perfectly preserved. Waiting to make us all 19 years old again. I mean we're talking about the infancy of the internet. No joke. Now what if I told you, you could go see it? Right now? You have a ticket to King Tut's tomb. And here it is:  Space Jam!!

See you later this week for Indie Wednesday and more!

UPDATE:  I completely forgot to mention that the Short Film Night at Natasha's is this Wednesday, so I'll be sure to give updates on how that goes if you can't make it in person. It's always nice when you get a chance to support the indie scene in Central Kentucky.

indie wednesday: Kaleb Lechowski



Kaleb Lechowski is a 22-year-old German who studies digital film design. Well, he was. Judging by R'ha, the short film he made in his first year, it looks like his studies paid off. One student, all by himself; all of the design. Every. Thing.

There is an extremely comprehensive article on Mashable that talks about Kaleb's process on the project, so I won't reproduce it but you can read it here. Needless to say, R'ha spread quickly across the interwebs and as soon as Hollywood saw it, they went all aflutter. A top dog agent jumped on it and Kaleb headed across the ocean.

tech talk: vector video and the death of pixels

On the left, you can see the supposed vector paths.

Tech Talk Tuesday! I'm not sure if I'm going to turn this into a weekly column or not, but either way, let me share a bit of tech talk for the filmmakers/videoheads amongst you that I stumbled onto this morning because the concept blew my mind.

A team at the University of Bath is claiming that they've invented a vectored video codec and effectively killed pixels and resolution as we know them. In fact, they claim pixels will be gone within five years. (You can find further explanation and a sample video here.)

Vectors are a series of points and paths that turn everything into a mathematical whatnot. Therefore, you can make the same image as tiny or enormous as you'd like and it will always look exactly the same. The end of resolution as we know it. HD, 720, 1080, 2K, 4K... all out the window. And now you can go as big as you want without increasing the file size. Encode a film one time and that's it.

Overall, I'd say this is good news if it truly works. On the other hand, it scares me to death. Does this basically change every single thing we do at the root level? Do we toss every piece of video gear and software we're currently working on and start from scratch? Can this really be legit? Getting a photo-real image out of vectors is a little hard for me to believe, let alone 24-60 images per second. I guess time will tell.

ThinkGeek.com if you have to have it.
And for anyone who is incredibly bored by all this, did you know you can actually buy a tauntaun sleeping bag?! That's the other thing I learned today. If there was any debate over the greatest sleeping bag of all time, now we can put it to rest. Mrrawrharharhar. But, seriously, that's incredible.

MLK Jr's News and Notes 1.21.13

In every era there are people who rise above the rest of us. I don't mean in business or wealth or power. I mean in a special understanding of the human condition. An understanding and vision that is often decades ahead of the general population. Martin Luther King Jr. most certainly fits into that category. He could see past the horizon and made it his life's work to make his dream a reality.

That's why we have a national holiday in the man's honor and that means the kids are out of school. I hope most of you are off work too. Both apply to me, so that means you're getting a quick post from the cellular device today.

Work continues as normal at the compound. On top of editing, there was some scuttlebutt last week about possibly starting a movie-focused podcast. I'm not saying, I'm just saying. And I'll be getting another classic 80s flick in the mail this week for a new VHessay later. What's it going to be??

If you feel short changed on today's update, I can promise you an interesting Indie Wednesday about an indie sci-fi short that is making waves in Hollywood. Plus at least one more fun post.

indie wednesday: Eos Karlsson



Eos Karlsson is an actor, dance-acrobat, filmmaker and graphic designer. And on top of all that, he's a stuntman. Impressive, yes. But I only have one question. Has he ever been with anything less than a nine? (So fine.) If so, he's no Colt Seavers. Colt may have never cared too much for school, but he taught ladies plenty. I can assure you of that, Mr. Karlsson!

Anyway, be sure to watch the video in fullscreen because it really does look good and enjoy the multi-talented Eos Karlsson's stunt reel. Although now he will no longer be an Unknown Stuntman. (And feel free to insert any additional Fallguy jokes here.)